Contrast can be one of the most powerful visual elements across any art discipline. By placing subjects or tones of opposite nature side by side, the artist can create a powerful juxtaposition. In photography, there are many ways to achieve this effect and really make a photo come alive. In this article we will discuss the different types of contrast and tips for implementing them into your photography.
For most just getting on the digital photo train, contrast strictly means an adjustment layer to enhance the strength of dark and light tones. While this technique can be a great way to create appeal to a once flat and boring photograph, it is not the only way to create opposing elements. Contrast can be much more than light and dark, some other forms include:
Perhaps the goal in taking a photograph is to make a statement on how magnificent old redwood trees are in size. In order to demonstrate this, size needs to be put in perspective; otherwise, those strictly seeing the photograph will not fully appreciate the trees’ magnitude.
Contrast in size can be achieved by comparing one subject of relative familiarity, with that of another. For the example above, using a human to stand below a giant redwood would demonstrate the difference in heights, and therefore the unique quality a giant redwood possesses.
We’ve all been exposed to opposing ideas in photographs, but it may not have registered as being a type of contrast. As an example, imagine a homeless man in the street. The artist wants to capture the contrasting classes of wealth in his city. In order to do this he waits awhile until a wealthy looking gentleman crosses the homeless man’s path. The photo shows a man in a business suit looking away as he walks by this homeless man.
The contrast appears in the idea, not the tones. While sometimes difficult to achieve, contrasting ideas or subjects can be incredibly powerful to see in an image.
Much like the contrasting of tones (dark and light) texture relies on what can be seen. National Geographic has featured many publications using the contrast of two subjects skin. For instance, the old hands of a field worker resting on the shoulder of a boy who appears to be following the same course in life. The texture of the man’s hands tells a story of how his occupation has changed him, only possible because of the contrast created next to the young boy.
Lines alone can be a very strong aspect to a good photo. They have the ability to lead our eyes through and to the subject of the image. The opposition of lines can add tension in the photo, confusing the eye and creating a feeling of discomfort.
Where you place your subject is important too. Using the rule of thirds you can create contrast between the emphasis of your subject and the background. Drawing attention to the subject and away from the rest of the photo is exactly what contrast serves to do.
By James Lam Join me on Google +